Bucimis arr. Jonah Sendlin

The frequent dead strokes in the marimbas and non-pedaled staccato notes in the vibraphone help achieve an effect similar to the vocal technique of “white-voice singing,” a popular technique used in Bulgarian folk music. In addition to the dead strokes, clapping is quite prevalent, further adding to the evocative nature of the piece. The passing of the melody across the mallet section, and solo break for the battery allows every player to shine.