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Home Sheet Music Solos and Ensembles Solo Music Four Fantasies Volume 1 by Robert Oetomo
Four Fantasies (vol.1)
Four Fantasies (vol.1)
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Four Fantasies Volume 1 by Robert Oetomo

‘Fantasy’ is a musical term used for works that are based on improvisations. The size and scale of.... Read More

£16.00

Weight 0.130000 kg
Composer

Oetomo, Robert

Difficulty

Intermediate/Advanced

Instrument

Marimba

In stock

SKU: SVIT97 Category: Solo Music Brand: Edition Svitzer
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Description

‘Fantasy’ is a musical term used for works that are based on improvisations. The size and scale of fantasies vary from one composer to another. However, fantasies are typically classified as small-scale works.  

Composed chronologically from 2012 to 2013, Four Fantasies (vol. 1) is a collection of improvisations inspired by emotions or events indicated by the title. Most of them comprise of two contrasting themes.  

Fantasy No. 1: Prelude was composed on a sunny winter’s afternoon shortly upon my arrival in Germany from Australia. The title reflects the beginning of a new chapter in my life.  

Fantasy No. 2: Nostalgia was composed whilst reminiscing about my friends and family in Australia whom I dearly missed. This fantasy does not imply a feeling of sadness or homesickness, but rather reflects positively on the past.  

‘Selah’ is a biblical term from the book of Psalms and Habakkuk meaning to pause and to reflect. Fantasy No. 3: Selah  was composed during a time of difficulty and was a way for me to reflect upon the Divine.  

Fantasy No. 4: A Beautiful Farewell  was composed before my return to Germany from Australia after living abroad for 10 months. Like the second fantasy, it is a positive reflection upon my time at home whilst knowing that I would soon return.  

In Fantasy No. 3: Selah, note the different markings used to differentiate between an independent roll/one-hand roll (mostly in the right hand marked with ‘z’) and a traditional roll (in both hands marked with ‘roll notes’). The written out ʺaccelerando/deaccelerandoʺ figures are only to be used as a guide. The amount of notes played in each of these figures is up to the performer’s choice. However, it must fit within the notated value shown above the figures.

Robert Oetomo


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