Dame Evelyn Glennie, who was appointed Dame Commander of the Order of the British Empire in the 2007 New Year Honours List, is one of the best-known figures in contemporary British Music. An extraordinary virtuosic percussionist as well as an engaging personality, she has long been subject to considerable media interest.
Touring internationally as the world's first full-time percussion soloist she has played with all the world's major orchestras, consistently winning massive critical acclaim. Her twenty-five solo albums (including twelve on the RCA/BMG label) have reached a remarkably diverse public, as have her numerous collaborations with musicians from the non-classical world.
She has performed with Indian, Indonesian and South American traditional musicians, and in the mid-'90s co-wrote and recorded several songs with Icelandic singer Björk, including the hit single 'My Spine'. Her 2000 solo album Shadow Behind the Iron Sun, produced by acclaimed rock music producer Michael Brauer, entirely comprises studio improvisations by Evelyn.
In addition to her life as a performer and recording artist, Evelyn has established herself a considerable reputation as a composer for film and television. One of her earliest credits was her music for a series of Tony Kaye-directed TV commercials for Mazda Cars in the mid-'90s, which was so original that it spawned a host of imitations. She was nominated for a BAFTA Award for her music for the first series of Lynda La Plante's ground-breaking crime drama Trial & Retribution (La Plante Productions for ITV), and has gone on to record many subsequent series of the show.
Other drama credits include two four-hour versions of Bramwell (Whitby Davison Productions for ITV); and Blind Ambition (Coastal Productions/Yorkshire Television).
Documentary credits include 3BM TV's 4-part study of the history of terrorism, The Age of Terror, by Oscar-winning producer Jon Blair.
There has always been a place in my repertoire for simple and truly beautiful melodies. The six in this collection are ideally suited to the emotional qualities of the marimba and I frequently perform them as encores. The melodies are known as almost universally and always give immense joy to all who experience them - myself included - wherever in the...
My Three Chorales for solo marimba were written at different times as individual pieces, and not originally intended as a set to be played together. A Little Prayer and Light in Darknesss were written when I was 13 years old, expressing my spiritual feelings and at the same time displaying a pleasantly relaxed dimension of the instrument. Giles is...