Dr. Mario Gaetano is currently a professor in the WCU School of Music where he teaches applied percussion, percussion ensemble, and percussion methods. Prior to joining the WCU faculty in 1979, he taught in the public schools of Ballston Spa, NY, and Portsmouth, VA. His principal teachers included James Petercsak, Harold Jones, and Frank Shaffer. His composition teachers included Eliot DelBorgo and Robert Washburn.
A highly accomplished percussion artist, Dr. Gaetano has appeared as a soloist in numerous U.S. states for various professional gatherings, including performances at the Ludwig International Symposium; the Music Teachers National Association Convention; the PAS "Days of Percussion" in New York, North Carolina, Kentucky, and Tennessee; and the North Carolina Music Educators Association Convention. In 1984, he was a finalist in the prestigious Performers Competition sponsored by the National Association of Composers held annually at the Schoenberg Institute in Los Angeles, CA. He has appeared as a concerto soloist with the Asheville Symphony Orchestra and Cullowhee Music Festival Orchestra. He is currently a member of the Asheville Symphony and has served as a member of the North Carolina Symphony, the Memphis Symphony, and the West Virginia Festival Orchestra.
Dr. Gaetano has authored numerous scholarly articles on percussion literature and pedagogy for various national and international journals including The Instrumentalist; Band World; Woodwind, Brass and Percussion; NACWPI Journal; Percussionist; Percussive Notes; Percussion News; and Percussive Notes Research Edition. He is a past president of the North Carolina chapter of the Percussive Arts Society, and sits on the International Composition Contest Committee of PAS. He also served as an associate editor of the North Carolina Music Educator where he edited the percussion column.
Dr. Gaetano is a highly respected composer and arranger of contemporary music for percussion. He has over 40 published works to his credit which are performed regularly at colleges and universities across the U.S. and abroad. His works are published by Alfred Music, Studio 4 Productions, Permus Corporation, Music for Percussion, Inc., Pioneer Music, C. Alan Publications, and Innovative Music. His snare drum method book, The Complete Snare Drummer, was recently published by Mel Bay Publications. Gaetano has numerous ASCAP Awards to his credit. His arrangement of Chick Corea's “Spain” was recently recorded by the critically acclaimed Ju Percussion Group of Taiwan on their 15th anniversary CD set.
Gaetano was recipient of the James Dooley Excellence in Teaching Award in 2005, the University Scholar Award in 2008, and the University Creative Research Grant in 2010. In 2011 he returned to his alma mater, the Crane School of Music in Potsdam New York, to perform as a Distinguished Alumni.
Dr. Gaetano holds professional memberships in the Percussive Arts Society, the Music Educators National Conference, ASCAP and the College Music Society.
For beginning drum students of all ages, this book progresses quickly but methodically, beginning with simple rhythms and sticking patterns, and concluding with advanced rhythmic and stylistic study. The etudes contain a part for bass drum. The book contains 35 lessons and 28 etudes. Also included is information on snare drum maintenance, tuning,...
Echo Canyon was written specifically for The Ignite Series for the Developing Percussion. Like other pieces in the series, it features extremely flexible instrumentation that may be compressed or expanded as is appropriate by your individual program's needs.
Fantasy for El Salvador by Mario Gaetano is a four mallet solo written for 4.3 octave marimba. This piece combines mallet independence and fast moving ostinato triplet eighth notes to provide rhythmic expression while leaving room for the performer to provide musical sensitivity.
Scarlatti's keyboard sonatas were composed mainly for the harpsichord or early fortepiano, are in single movements, and are binary or early sonata form. Many of the works show the influence of Portuguese or Spanish folk music, and many of his musical figurations are suggestive of the guitar. The American musicologist Ralph Kirkpatrick produced an...